Story Analysis of Hills Like White Elephants - 723 Words

Hills Like White Elephants Erich Auerbach wrote Mimesis in 1953 and used his theories about foreground and background to help in his analysis and understanding of the story of Odysseus. His analysis is appropriate for this one story but can also be applied to other stories wherein the truth of the tale is not expressed directly (Auerbach 3). Authors can instill additional meaning through the text by the tone that is set and the way dialogue is written. Background and foreground in this context refers to what is explicitly stated by the author and what is only implied and must be understood through careful reading of the viewer. Hills like White Elephants is about a despondent woman. A man and a woman are in a foreign land and stop at a small cafe while they wait for a train. It is evident from the dialogue that the two are not getting along. When the young woman says that the hills look like the elephants of the title, the man responds that he wouldnt know. I might have, the man said. Just because you say I wo uldnt have doesnt prove anything (Hemingway). Immediately the girl changes the subject, unwilling or unable to disagree with him about anything. This antagonistic relationship is made evident because even an off-hand remark about the scenery is taken by the man as an insult. This is what is explicitly stated. Jig (the woman) is in a relationship with a man who is angry. Additional information is provided regarding this couples relationship. AfterShow MoreRelatedAnalysis Of The Story Of An Hour And Hills Like White Elephants1493 Words   |  6 Pagesshort stories, â€Å"The Story of an Hour† and â€Å"Hills Like White Elephants†, a symbolic setting representing the characters feelings, two themes- time and life decisions, and a feministic approach. The setting embodies the stories principal aspect contributing to why men and women have different perspectives and emotions. Revolving around the setting, both themes of time and life decisions support the idea that gender impacts our outlook in the world; however, the main characters in the short stories wereRead MoreCritical Analysis of the Short Story ‘Hills Like White Elephants’ by Ernest Hemingway.1497 Words   |  6 PagesCritical Analysis of the short story ‘Hills like White Elephants’ by Ernest Hemingway. Word Count: 1367 Hills like White Elephants – Ernest Hemingway â€Å"Will Jig have the abortion and stay with the man; will Jig have the abortion and leave the man; or will Jig not have the abortion and win the man over to her point of view?† (Hashmi, N, 2003). These are the three different scenarios that have been seriously considered in Ernest Hemingway’s short story, â€Å"Hills like White Elephants†. ErnestRead MoreEvaluation Argument Hills Like White Elephants1388 Words   |  6 Pagesï » ¿ Ernest Hemingway: Hills Like White Elephants A white elephant is an idiom for a valuable but burdensome possession, but also it means a rare and sacred creature. In Ernest Hemingway’s short story Hills Like White Elephants, Hemingway uses an unborn child as a white elephant. This short story depicts a couple of an American man and young women at a train station somewhere in Spain. Hemingway tells the story from watching the couple from across the bar and listening to their troublesome conversationRead Moreâ€Å"the Lottery† and â€Å"Hills Like White Elephants† Essay881 Words   |  4 Pagesâ€Å"The Lottery† and â€Å"Hills like White Elephants† Regardless of the type of society people live in controversial topics and cowardly individuals can create conflict. The stories â€Å"The Lottery† by Shirley Jackson and â€Å"Hills like White Elephants† by Ernest Hemingway implement this concept. â€Å"The Lottery† is about a small town that holds an annual lottery in which the winner will be killed. â€Å"Hills like White Elephants† is the story of a couple’s discussion over the decision they must make of whether orRead MoreHills Like White Elephants By Ernest Hemingway1446 Words   |  6 PagesErnest Hemingway’s short story â€Å"Hills Like White Elephants† explores the topics of abortion, sex before marriage, and feelings of separation. There are many different points of view one can take on Hemingway’s work. The main literary analysis that will be explained is the significance of the title and how it is layered into the story in various places. In addition to this, the narrator’s point of view will also be discussed since it plays a role in bringing the characters together. Lastly, it willRead MoreMoving to the Girl’s Side of â€Å"Hills Like White Elephants†1697 Words   |  7 PagesMoving to the Girl’s Side of â€Å"Hills Like White Elephants† In the article, â€Å"Moving to the Girl’s Side of ‘Hills Like White Elephants†, Stanley Renner carefully analyzes the movements of the female character and argues the different view from the general conclusion while still pondering on the open-end question the writer, Ernest Hemmingway, has left with the readers. Renner is left unsatisfied with the unresolved ending of the story. Although the majority of critics conclude that the girl will haveRead More Symbolism in Hills Like White Elephants, by Ernest Hemingway1687 Words   |  7 Pagesshort story, different literary elements and terms are incorporated into the story by the author. Ernest Hemingway frequently uses various literary elements in his writing to entice the reader and enhance each piece that he writes. In Hills Like White Elephants, Hemingway uses symbols to teach the reader certain things that one may encounter during daily life. Symbolism may be defined as relating to, using, or proceeding by mean s of symbols (Princeton). The use of symbols in Hills Like White ElephantsRead MoreErnest Hemingway s `` Indian Camp `` And Hills Like White Elephants ``928 Words   |  4 Pageswas well-known to scholars to have his short stories filled with male-chauvinist characters either abusing or disregarding weak and helpless women. However, Bauer, a professor of English and women’s studies, believes that the characterization of Hemingway as an abuser and having a blatant disregard of women is almost entirely created by the scholars and readers of his stories. With an analysis of Hemingway’s â€Å"Indian Camp† and â€Å"Hills Like White Elephants†, Bauer attempts to bring her own feminist perspectiveRead MoreCritical Analysis of Hills Like White Elephants923 Words   |  4 PagesMikhail Shimonov Professor Kaufman March 28, 2011 Critical Analysis of Hills like White Elephants At first glance, Hills like White Elephants by Ernest Hemingway, may allude to many interpretations, however, the short story has a clear purpose. Set in the Ebro River valley in Spain, the story looms around the issue brought forth by Jig and the American, who is nameless throughout the whole story. The issue here being the ‘simple operation’ that Jig is about to undergo which happens to be anRead MoreHedonism in Hills Like White Elephants, by Ernest Hemingway Essay1588 Words   |  7 Pagesnature. The roaring twenties witnessed the uprising of a society that extolled such desire through the creation of a culture solely dedicated to consume. Ernest Hemingway analyses the behavioral patterns of such culture in his short story Hills Like White Elephants, where the concept of Hedonism- fathomed as an egotistical action whose only purpose is to bestow pleasure- and its consequences on the individual is explored. Through the characters dialogue in which they avoid a substa ntial conversation

The Character of Sebastian in Shakespeares Twelfth...

The Character of Sebastian in Shakespeares Twelfth Night: Sebastians presence in William Shakespeares Twelfth Night: or What You Will is a vexation. More pointedly, it is his sudden marriage to Olivia which troubles me so. Was he written in to give a parallel storyline between Olivia and Viola? Was he a convenient way to have a double wedding, which Shakespeare seemed to prefer for his happy endings? Or, could there be some other meaning to Sebastian? The last day of the Christmas season is January 6, the feast of the Epiphany, when Christ was revealed to the world in the personage of the Magi. The evening before is called Twelfth Night, the most riotous holiday of the year for Elizabethans (Singman†¦show more content†¦He leaves the next day still looking for his sister. After Apollonius finds out that it is Silla/Silvio for whom Julina spurned him, he imprisons her. When Julina eventually comes looking for Silla/Silvio, telling Apollonius that she is pregnant, Silla must confess that she is a girl and could not have made Julina pregnant, and that she was in love with Apollonius. He rewards her love by marrying her. Her brother finds out about the marriage, returns to Constantinople, learns that Julina is pregnant with his child, and discovers the reason for the mix-up. Silvio then marries Julina. Although some time passes between their one-nighter and their marriage, one understands the sudden marriage of Silvio and Julina. He at least knows her name and knows her in the biblical sense before they marry. In Twelfth Night, Sebastian marries Olivia without knowing her name or having even seen her previous to this day!-unless something has happened between them after Olivia broke up the duel. Harold Bloom, while calling Viola a repressed vitalist, thinks she is so constrained because she mingles her identity with that of her twin brother, Sebastian(232). He says that although Viola is vibrant, she has taken on her brothers more subdued personality. Has one twin gotten all the passion, while the other is a Milquetoast? That might explain how a strong personality like Olivia so easily marries Sebastian without question orShow MoreRelatedWilliam Shakespeare s Twelfth Night1221 Words   |  5 PagesShakespeare’s Twelfth Night is a widely known romantic comedy that was first published in 1623. Twelfth Night is one of Shakespeare’s finest works and it tends to have an affinity to modern romantic comedy films and stories. The play has love triangles, unrequited love, lies and deceit, playful comedic relief, and obstacles that interfere with characters’ goals. Many of Shakespeare’s plays were turned into film adaptations and many were used very loosely as source material. Hamlet had Lion King (veryRead MoreThe Twelfth Night: A Happy Ending? Essay1501 Words   |  7 Pagesdifficulties appear within the play, by the end these will be resolved and the play will have a traditional happy-ending with a marriage or a celebration in the final scene. The â€Å"Twelfth Night† is no exception to this rule. Despite problems of confused identities and sexualities, the play ends with marriage for the major characters because they â€Å"have learned enough about their own foolishness to accept it wisely, and their reward, as it sho uld be, is marriage.†(Schwartz 5140). There is a resolution ofRead Moretwelfth night Essay952 Words   |  4 Pages Twelfth Night Essay While many will agree that Shakespeare’s Twelfth Night is critically acclaimed to be one of the most entertaining and well-liked pieces that he has written, there tends to be a discrepancy over how the characters in the play are portrayed when it comes to the importance of gender roles. After reading James C Bulman’s article over the Globe’s more recent performance of Twelfth Night and Shakespeare’s original written version, I realized that there are many ways that this famousRead MoreThemes Of Social Mobility Through Marriage1655 Words   |  7 PagesThis paper critically analyses the theme of social mobility through marriage in Shakespeare’s play ‘Twelfth Night’. In addition, the paper highlights how different characters in the play got into higher social classes or desired to be in higher social classes through marriage. This paper holds that in a highly stratified society such as that presented in the Shakespeare’s play; ma rriage plays a significant role in in social class mobility. As opposed to some traditional society where marriage wasRead MoreEssay about Mistaken Identity for Twelfth Night786 Words   |  4 Pagescomedy Twelfth Night, creates a plot that revolves around mistaken identity and deception. Mistaken identity, along with disguises, rules the play and affects the lives of several of the characters. Shakespeares techniques involve mistaken identity to bring humor, mystery, and complication to the play. Many characters in Twelfth Night assume disguises, beginning with Viola who is disguised as a eunuch, Maria who writes a letter to Malvolio as Olivia, and then the mix-up between Sebastian and ViolaRead More The Use of Deception in William Shakespeares Twelfth Night Essay694 Words   |  3 PagesThe Use of Deception in William Shakespeares Twelfth Night   Ã‚  Ã‚  Ã‚  Ã‚     Ã‚  Ã‚  Ã‚  Ã‚  Deception is a key theme in William Shakespeares Twelfth Night. The characters must use deception to obtain good things, escape bad situations, or to play cruel hilarious ticks on other people. One example of deception is when Viola clothes herself in mens clothing in order to obtain a job under the Duke of Illyria, Orsino. During another scene Sir Andrew, Fabian, Maria, and Sir Toby Belch trick Malvolio into making a foolRead MoreWilliam Shakespeare s Life Experiences997 Words   |  4 Pages Kemal 1 Ayesha Kemal Mrs. Holcombe Period: 7 10/05/14 Shakespeare’s Life Experiences William Shakespeare was born on April 26, 1564 to John and Mary Shakespeare. As a child Shakespeare grew up in the town of Stratford-upon-Avon in the United Kingdom. He grew up attending a school called King Edward VI School, where he learned to read, write, and use proper grammar. He continued to attend school until his family had some economic hardships and he was unable to attend university. Instead he got marriedRead More The Purpose of Disguise in Twelfth Night Essay1154 Words   |  5 PagesTheme of Disguise in Twelfth Night The notion of disguise is very important theme within Twelfth Night.   From my point of view I feel that the crux of the play is primarily based on this concept.   Indeed theres something in it that is deceivable summarizes this point precisely.   Disguise runs like a thread through the play from start to end and holds it all together just as tightly as thread would fabric.   Yet, paradoxically as the plot progresses there are many problems, deceptions andRead MoreThe Limitations Of Frye s Green World 1729 Words   |  7 PagesWhat are the limitations of Frye’s ‘Green World’ model as applied to ‘Twelfth Night’ by William Shakespeare? Twelfth Night was thought to be written in 1600-1. The play – known for adhering to a genre of romantic comedy by utilising pathos combined with humour – is listed under comedies in the First Folio of 1623 with another of Shakespeare’s works As You Like It. Twelfth Night adheres to Frye’s theory to some extent. The old world, one of repression, is conveyed through the puritanical beliefs ofRead MoreTwelfth Night Love Essay1610 Words   |  7 Pagescomedies. Twelfth Night is one of the finest comedies of the author. Shakespeare is driven by Viola’s decision to voluntarily conceal her identity and go to work as a servant for the lovesick Orsino.This disguise and gender confusion are there in the beginning of the play and finishes with happy ending. This paper tries to ascertain how Viola in Twelfth Night perform her disguise and become an ideal woman of Shakespeare’s own concept. There may be many reasons why, he keeps his female characters in disguise

Island of the Sequined Love Nun Chapter 29~31 Free Essays

string(44) " her as if noticing her for the first time\." 29 Safe in the Hands of Medicine â€Å"How are you feeling today?† Sebastian Curtis pulled the sheet down to Tuck’s knees and lifted the pilot’s hospital gown. Tucker flinched when the doctor touched the catheter. â€Å"Better,† Tuck said. We will write a custom essay sample on Island of the Sequined Love Nun Chapter 29~31 or any similar topic only for you Order Now â€Å"That thing is itching, though.† â€Å"It’s healing.† The doctor palpated the lymph nodes in Tucker’s crotch. His hands were cold and Tuck shivered at the touch. â€Å"The infection is subsiding. This happened to you in the plane crash?† â€Å"I fell back on some levers while I was trying to get a passenger out of the plane.† â€Å"The hooker?† The doctor didn’t look up from his work. Tuck wanted to throw the sheets over his head and hide. Instead, he said, â€Å"I don’t suppose it would make a difference if I said I didn’t know she was a hooker.† Sebastian Curtis looked up and smiled; his eyes were light gray flecked with orange. With his gray hair and tropical tan, he could have been a re-tired general, Rommel maybe. â€Å"I’m not really concerned with what the woman was doing there. What does concern me is that you had been drinking. We can’t have that here, Mr. Case. You may have to fly on a moment’s notice, so you won’t be able to drink or indulge in any other chemical diversions. I assume that won’t pose a problem.† â€Å"No. None,† Tuck said, but he felt like he’d been hit with a bag of sand. He’d been craving a drink since he’d regained consciousness. â€Å"By the way, Doc, since we’re going to be doing business together, maybe you should call me Tucker.† â€Å"Tucker it is,† Curtis said. â€Å"And you can call me Dr. Curtis.† He smiled again. â€Å"Swell. And your wife’s name is?† â€Å"Mrs. Curtis.† â€Å"Of course.† The doctor finished his examination and pulled the sheet back up to Tuck’s waist. â€Å"You should be on your feet in a few days. We’ll move you to your bungalow this afternoon. I think you’ll find everything you need there, but if you do need anything, please let us know.† A gin and tonic, Tuck thought. â€Å"I’d like to find out what happened to the guy who was piloting my boat.† â€Å"As I told you, the islanders found you and a few pieces of your boat.† There was a finality in his voice that made it clear that he didn’t want to talk about Kimi or the boat. Tuck pressed on. Respect for authority had never been his long suit. â€Å"I guess I’ll ask around when I get out of here. Maybe he washed up on a different part of the island. I remember being hung in a tree with him by an old cannibal.† Tuck saw a frown cross the doctor’s face like a fleeting shadow, then the professional smile was back. â€Å"Mr. Case, there haven’t been any cannibals in these islands for a hundred years. Besides, I will have to ask you to stay inside the compound while you are here. You’ll have access to beaches and there’s plenty of room to roam, but you won’t be having any contact with the islanders.† â€Å"Why, I mean if they saved me?† â€Å"The Shark People have a very closed society. We try not to intrude on that any more than is necessary for us to do our work.† â€Å"The Shark People? Why the Shark People?† â€Å"I’ll explain it all to you when you are feeling better. Right now you need to rest.† The doctor took a syringe from a metal drawer by the wall and filled it from a vial of clear fluid, then injected it into Tuck’s IV. â€Å"When do you think you’ll be ready to fly?† Tuck felt as if a veil of gauze had been thrown over his mind. Everything in the room went soft and fuzzy. â€Å"Not real soon if you keep giving me that stuff. Wow, what was that? Hey, you’re a doctor. Do you think we taste like Spam?† He was going to ask another question, but somehow it didn’t seem to matter anymore. The Sorcerer stormed into the Sky Priestess’s bungalow, stripped off his lab coat, and threw it into the corner. He went to the open kitchen, ripped open the freezer, pulled out a frosty fifth of Absolut, and poured a triple shot into a water glass that froze and steamed like dry ice in the humidity. â€Å"Malink lied,† he said. Then he tossed back half the glass and grabbed his temples when the cold hit his brain. The Sky Priestess looked up from her magazine. â€Å"A little stressed, darling?† She was lying out on the lanai, naked except for a wide-brimmed straw hat, her white skin shining in the sun like pearl. The Sorcerer joined her and fell onto a chaise lounge, a hand still clamped on his temples. â€Å"Case says there was another man with him on the island. He said an old cannibal hung them in a tree.† â€Å"I heard him,† the Sky Priestess said. â€Å"He’s delirious?† â€Å"I don’t think so. I think Malink lied. That they found the boat pilot and didn’t tell us.† She moved next to him on the chaise lounge and pried the glass of vodka out of his hand. â€Å"So send the ninjas on a search mission. You’re paying them. They might as well do something.† â€Å"That’s not an option and you know it.† â€Å"Well, then go yourself. Or call Malink on it. Tell him that you know there was another man and you want him brought here chop-chop.† â€Å"I think we’re losing them, Beth. Malink wouldn’t have dared lie to me a month ago. It’s that dream. He dreams that Vincent is sending them a pilot, then you tell him it’s not true, then a pilot washes up on the reef.† The Sky Priestess drained the glass of vodka and handed it back to him empty. â€Å"Yeah, nothing fucks up a good religion like the intervention of a real god.† â€Å"I wish you wouldn’t talk that way.† â€Å"So what are you going to do, after you get a refill, I mean?† The Sorcerer looked up at her as if noticing her for the first time. You read "Island of the Sequined Love Nun Chapter 29~31" in category "Essay examples" â€Å"Beth, what are you doing out here? The Priestess of the Sky does not have a tan.† She reached under the chaise lounge and came up with a plastic bottle of lotion. â€Å"SPF 90. Relax, ‘Bastian, this stuff would keep me creamy white in a nuclear flare. You want to rub some on me?† She pushed her hat back on her head so he could see the predator seriousness in her eyes. â€Å"Beth, please. I’m on the cusp of a crisis here.† â€Å"It’s not a crisis. It’s obvious why the Shark People are getting restless.† â€Å"It is?† â€Å"No one has been chosen in over two months, ‘Bastian.† He shook his head. â€Å"Case isn’t ready to fly.† â€Å"Well, get him ready.† 30 Fashion Statements Kimi sat under a coconut palm outside of the bachelors’ house sulking. His flowered dress was gone and he wore a blue thu, the long saronglike loin-cloth worn by the Shark men. Gone too was his blond wig, his high heels, and his best friend, Roberto, who he had not seen since the cannibal tree. Now it looked as if he had no place to sleep. Sepie had thrown him out. Sepie came out of the bachelors’ house wearing Kimi’s floral dress and glared at him. She paused on the coral pathway. â€Å"I am not a monkey,† she said. Then she picked up a stone from the path and hurled it at him, barely missing his head. Kimi scuffled to the leeward side of the tree and peeked around. â€Å"I didn’t say you were a monkey. I said that if you didn’t shave your legs, you would soon look like a monkey.† A rock whizzed by his face so close he could feel the wind of it. She was getting more accurate with each throw. â€Å"You know nothing,† she said. â€Å"You are just a girl-man.† Kimi dug a stone from the sand at his feet and hurled it at her, but his heart wasn’t in it and it missed her by five feet. In English he said, â€Å"You just a poxy oar with a big mouth.† He hoped this verbal missile hit closer to home. They were the last words of Malcolme, Kimi’s pimp back in Ma-nila. In retrospect, Malcolme’s mistake had been one of memory. He had forgotten that the overly made-up little girl standing in front of him with a machete was, in fact, a wiry young man with the anger of hundreds of beatings burning in his memory. â€Å"I no have the pox,† Kimi said to Malcolme, whose look of surprise remained fixed even as his head rolled into the corner of the hotel room, where a rat darted out and gently licked his shortened neck. â€Å"I no have the pox,† Sepie said in English, punctuating her statement with a thrown lump of coral. â€Å"I know,† Kimi said. â€Å"I’m sorry I say that.† He skulked off down the beach. Sepie stood outside the bachelors’ house watching him, totally disarmed. No man had ever apologized to her before. Kimi hadn’t meant to hurt her feelings. Sometimes it takes a thick skin to trade beauty tips with a girlfriend. Sepie was naturally pretty, but she didn’t understand fashion. Why bother to put on a pretty dress if you’re going to have monkey legs and tufts of hair hanging out from under your arms making it look like bats hanging there? Bats. Kimi missed Roberto. The Shark men wouldn’t talk to him, the women ignored him, except for Sepie, who was angry at him now, and even Tucker had been taken away to the other side of the island. Kimi was lonely. And as he walked down the beach, past the children playing with a trained frigate bird, past the men lounging in the shade of an empty boathouse, his loneliness turned to anger. He turned up the beach and took a path into the village to look for a weapon. It was time to go see the old cannibal. Outside each of the houses, near the cook sheds, stood an iron spike – a pick head that was driven into the ground and used to husk coconuts. Kimi stopped at one house and yanked on the spike, but it wouldn’t budge. He moved between the houses, vacant now in the early morning, the women working in the taro field, the men lounging in various patches of shade. He peeked into a cook shed, and there, by the pot that held the crust of this morning’s rice, he found a long chef’s knife. He looked around to make sure that no one was watching, then bolted into the shed and snatched the knife, fitting it into his thu so that only the handle protruded at the small of his back. Ten minutes later he was hiding in a patch of giant ferns, watching the old cannibal roll coconut husk fibers into rope on his leathery old thighs. He sat with his back against a palm tree, his legs straight out in front of him, pulling the fibers that had been soaked and separated out of a basket and measuring by feel the right amount to add to the coil of cord that was building on the ground beside him. From time to time he stopped and took a drink from a jar of milky liquid that Kimi was sure was alcoholic tuba. Good, he was drunk. Kimi moved slowly around the house, staying in the undergrowth of ferns and elephant ears, careful not to kick up any of the coral gravel that rang like broken glass if you didn’t place your feet carefully. Once he was behind the old man, he drew the knife from the small of his back and moved forward to kill that man who had eaten his friend. From the window of his new quarters Tucker Case watched the Japanese guards move through the compound carrying palm fronds and broken branches, detritus of the typhoon, which they piled in an open space at the side of the hangar to dry in the sun. They were dressed like a police SWAT team, in black coveralls with baseball caps and paratrooper boots, and if he squinted, they looked like giant worker ants cleaning out the nest. From time to time one of the guards would look toward his bungalow, then quickly turn away when he saw Tucker standing in the window in his pajamas. He had given up waving to them after the first hour of being ignored. He’d been in the one-room bungalow for four days now, but this was the first time he’d felt well enough to get up and move around, other than to use the bathroom, which to his surprise, had hot and cold running water, a flush toilet, and a shower stall made of galvanized metal. The walls were tightly woven grass between a sturdy frame of teak and mahogany logs; the floor was unfinished teak, sanded smooth and pink; and the furniture was wicker with brightly colored cushions. A ceiling fan spun languidly above a double bed that was draped with a canopy of mosquito netting. The windows looked out on the compound and hangar on one side and through a grove of palm trees to the ocean on the other. He could see sev-eral bungalows perched near the beach, a small dock, and the cinderblock hospital building, its tin roof arrayed with antennae, solar electric panels, and a massive satellite dish. Tuck backed away from the window and sat down on the wicker couch. A few minutes on his feet and he felt exhausted. He was twenty pounds lighter than when he had left Houston and there wasn’t a six-inch patch of skin on his body that didn’t have some kind of bandage on it. The doc had said that between the cuts on his arms, knees, and scalp, he had taken a hundred sutures. The first time he looked in the little mirror in his bathroom, he thought he was looking at a human version of the mangy feral dog he’d seen on Truk. His blue eyes lay like dull ice in sunken brown craters and his cheeks were drawn into his face like a mummified bog man’s. His hair had been bleached white by the sun and stuck out in straw-dry tufts between pink patches where the doctor had shaved his scalp to stitch him up. He took small comfort in the fact that there were no women around to see him. No real women, anyway. The doctor’s wife, who came several times a day to bring him food or to change his bandages, seemed robotic, like some Stepford/Barbie hybrid with the smooth sexless carriage of a mannequin and a personality pulled out of an Eisenhower-era soap commercial. She made the straight-laced cosmetic reps from his past seem like a tribe of pillbox nympho hose hunters. There was a tap on the door and Beth Curtis breezed in carrying a wooden serving tray with plates of pancakes and fresh fruit. â€Å"Mr. Case, you’re up. Feeling better today?† She set the tray down on the coffee table in front of him and stepped back. Today she was in pleated khaki pants and a white blouse with puffed shoulders. Her hair was tied back with a big white bow at the back of her neck. She might have just walked out of a Stewart Granger safari movie. â€Å"Yes, better,† Tuck said, â€Å"But I wore myself out just walking to the window.† â€Å"Your body is still fighting off the infection. The doctor will be by soon to give you some antibiotics. For now you need to eat.† She sat on the chair across from him. Tuck cut a divot out of the stack of pancakes with a fork and speared it through a piece of papaya. After the first bite, he realized how hungry he really was and began wolfing down the pancakes. Beth Curtis smiled. â€Å"Have you had a chance to look over the manuals for the airplane?† Tuck nodded, his mouth still full. She’d left the operations manuals on his bed two days ago. He’d leafed through them enough to know that he could fly the thing. He swallowed and said, â€Å"I used to fly a Lear 25 for Mary Jean. This one is a little faster and has longer range, but basically it’s the same. Shouldn’t be a problem.† â€Å"Oh, good,† she said, sporting one of her plastic smiles. â€Å"When will you be able to fly?† Tucker put down his fork. â€Å"Mrs. Curtis, I don’t mean to be rude, but what in the hell is going on around here?† â€Å"Regarding what, Mr. Case?† â€Å"Well, first, regarding the man I came to this island with. I was sick, but I wasn’t hallucinating. We were strung up in a tree by an old native guy and cut down by a bunch of others. What happened to my friend?† She shifted in her chair, and the wicker crackled like snapping rat bones. â€Å"My husband told you what the islanders told us, Mr. Case. The natives live on the other side of the island. They have their own society, their own chief, their own laws. We try to take care of their medical needs and bring a few souls into the fold, but they are a private people. I’ll ask them about your friend. If I find out anything, I’ll let you know.† She stood and straightened the front of her slacks. â€Å"I’d appreciate that,† Tuck said. â€Å"I promised him I’d get him back to Yap and I owe him some money. The natives didn’t find my backpack, did they? My money was in it.† She shook her head. â€Å"Just the clothes you had on. We burned them. Fortunately, you and Sebastian are about the same size. Now, if you’ll ex-cuse me, Mr. Case, I have some work to do. Sebastian will be along in a bit with your medicine. I’m glad you’re feeling better.† She turned and walked out the door into the blinding sunlight. Tucker stood and watched her walk across the compound. The Japanese guards stopped their work and leered at her. She spun on them and waited, her hands on her hips, until one by one they lost their courage and returned to their work, not embarrassed but afraid, as if meeting her direct gaze might turn them to frost. Tuck sat down to his half-eaten pancakes and shivered, thinking it must be the fever. A half hour later the doctor entered the bungalow. Tucker was spread out on the couch descending into a nap. They’d been doing this since they’d moved him to the bungalow, tag-teaming him, one showing up at least every hour to check on him, bring him food or medicine, change the sheets, take his temperature, help him to the bathroom, wipe his forehead. It looked like concerned care, but it felt like surveillance. Sebastian Curtis took a capped syringe from his coat pocket as he crossed the room. Tuck sighed. â€Å"Another one?† â€Å"You must be feeling like a pin cushion by now, Mr. Case. I need you to roll over.† Tuck rolled over and the doctor gave him the injection. â€Å"It’s either this or the IV. We’ve got this infection on the run, but we don’t want it to get a foothold again.† Tuck rubbed his bottom and sat up. Before he could say anything, the doctor stuck a digital thermometer in his mouth. â€Å"Beth tells me that you’re worried about your friend, the one you say came to the island with you?† Tuck nodded. â€Å"I’ll check into it, I promise you. In the meantime, if you’re feeling up to it, Beth and I would like you to join us for dinner. Get to know each other a little. Let you know what’s expected of you.† He pulled the thermometer out of Tuck’s mouth and checked it but made no comment. â€Å"You up for dinner tonight?† â€Å"Sure,† Tuck said. â€Å"But†¦Ã¢â‚¬  â€Å"Good. We’ll eat at seven. I’ll have Beth bring you down some clothes. I’m sorry about the hand-me-downs, but it’s the best we can do for now.† He started to leave. â€Å"Doc?† Sebastian turned. â€Å"Yes.† â€Å"You’ve been out here, what, thirty years?† The doctor stiffened. â€Å"Twenty-eight. Why?† â€Å"Well, Mrs. Curtis doesn’t look†¦Ã¢â‚¬  â€Å"Yes, Beth is quite a bit younger than I am. But we can talk about all that at dinner. You should probably rest now and let those antibiotics do their work. I need you healthy, Mr. Case. We have a round of golf to play.† â€Å"Golf?† â€Å"You do play, don’t you?† Tuck took a second to catch up with the abrupt change of subject, then said, â€Å"You play golf here?† â€Å"I am a physician, Mr. Case. Even in the Pacific we have Wednesdays.† Then he smiled and left the bungalow. 31 Revenge: Sweet and Low in Calories Sarapul twisted the last of the fibers into his rope and drew his knife to trim the ragged end. It was a good knife, made in Germany, with a thin flexible blade that was perfect for filleting fish or cutting microthin slices from coconut stems to keep the tuba running. He’d had the knife for ten years and he kept it honed and polished on a piece of tanned pig hide. The blade flashed blue as he picked it up and he saw the face of vengeance re-flected in the metal. Without turning, he said, â€Å"The young ones are going to kill you.† Kimi stopped, his knife held ready to strike the old man in the neck. â€Å"You ate my friend.† Sarapul gripped his knife blade down so he might turn and slash at the same time. There was no quickness in his bones, though. The Filipino would kill him before he got halfway around. â€Å"Your friend is with the white Sorcerer and Vincent’s bitch. Malink took him away.† â€Å"Not that one. Roberto. The bat.† â€Å"Bats are taboo. We don’t eat bats on Alualu.† Kimi lowered his knife an inch. â€Å"You are not supposed to eat people either, but you do.† â€Å"Not people I know. Come over here where I can see you. I am old and my neck won’t turn that far around.† Kimi walked a crescent around the tree and crouched at ready in front of the old man. Sarapul said, â€Å"You were going to kill me.† â€Å"If you ate Roberto.† â€Å"I like that. Nobody kills anybody anymore. Oh, the young ones are talking about killing you, but I think Malink will talk them out of it.† Kimi cleared his throat. â€Å"Were you going to eat me when they killed me?† â€Å"Someone brought that up at the drinking circle. I don’t remember who.† â€Å"Then how do I know you did not eat Roberto?† â€Å"Look at me, little one. I am a hundred years old maybe. Sometimes I go to the beach to pee and the tides change before my water comes. How would I catch a bat?† Kimi sat down on the ground across from the old man and dropped his knife in the gravel. â€Å"Something happened to Roberto. He flew off.† â€Å"Maybe he found a girl bat,† Sarapul said. â€Å"Maybe he will come back. You want a drink?† The old cannibal offered his jar of tuba to Kimi, who leaned forward and snatched it before retreating out of knife range. Kimi took a sip and grimaced. â€Å"Why are they going to kill me?† â€Å"They say you are a girl-man and that you make Sepie forget her duties as mispel. And they don’t like you. Don’t worry, no one kills anyone anymore. It is just drunk talk.† Kimi hung his head. â€Å"Sepie sent me away from the bachelors’ house. She is mad at me. I have nowhere to go.† Sarapul nodded in sympathy, but said nothing. He’d been exiled for so long that he’d gotten used to the alienation, but he remembered how he had felt when Malink had first banished him. â€Å"You speak our language pretty good,† Sarapul said. â€Å"My father was from Satawan. He was a great navigator. He taught me.† â€Å"You’re a navigator?† In the old days the navigators stood above even the chiefs – and just below the gods. As a boy, Sarapul idolized the two navigators of Alualu. The long-dead dream of his boyhood surfaced and he remembered learning from them, watching them draw star charts in the sand and stand at the beach lecturing on tides and currents and winds. He had wanted to be a navigator, had begun the training, for in the rigid caste system of the Yapese islands it was the one way for a man to distin-guish himself. But one of the navigators had died of a fever and the other was killed in a fight before he could pass on his knowledge. The navigators and warriors were ghosts of the past. If this girl-man was a navigator, then the bachelors were piss ants to talk of killing him. Sarpul felt infused with an energy he hadn’t felt in years. â€Å"I can show you something,† Sarapul said. He tried to climb to his feet and fell back into a crouch. Kimi took him by a bony arm and helped him up. â€Å"Come,† Sarapul said. The old man led Kimi down the path to the beach and stopped at the water’s edge. He began to sing, his voice like dried palm leaves rattling in the wind. He waved his arms in arcs, then threw them wide to the sky so that his chest looked as if it might crack open like a rotten breadfruit. And the wind came up. He took handfuls of sand and cast them into the wind, then clapped his hands and resumed singing until the palms above them were waving in the wind. Then he stopped. â€Å"Now we wait,† he said. He pointed out to sea. â€Å"Watch there.† A column of fog rose off the ocean at the horizon and boiled black and silver into a huge thunderhead. Sarapul clapped his hands again and a lightning bolt ripped out of the cloud and across the sky like a jagged white fissure in blue glass. The thunderclap was instant, deafening, and crackled for a full ten seconds. Sarapul turned to Kimi, who was staring at the thunderhead with his mouth open. â€Å"Can you do that?† Kimi shook off his astonishment with a shiver. â€Å"No, I never learned that. My father said he could send the thunder, but I didn’t see him do it.† Sarapul grinned. â€Å"Ever eat a guy?† Kimi shook his head. â€Å"No.† â€Å"Tastes like Spam,† Sarapul said. â€Å"I heard that.† â€Å"I can teach you to send the thunder. I don’t know the stars, though.† â€Å"I know the stars,† Kimi said. â€Å"Go get your things,† Sarapul said. How to cite Island of the Sequined Love Nun Chapter 29~31, Essay examples

Garth Brooks Essay Research Paper Garth BrooksTroyal free essay sample

Garth Brooks Essay, Research Paper Garth Brooks Troyal Garth Brooks was born in Tulsa, Oklahoma of February 7, 1962. He was raised in Yukon about one hundred stat mis off from Tulsa. Ray, his male parent, worked as a draftsman for an oil company while his female parent Colleen was a state vocalist in the 1950 s and appeared on wireless and telecasting show, every bit good as entering assorted recordings for Capital Records. Country music played a function in the Brooks # 8217 ; family, but non a dominant 1. But, by the clip Garth was born, his female parent had retired from a professional calling and the Brooks # 8217 ; house reverberated with every bit much stone and dad music as state. Garth went to Yukon High School and played four athleticss: football, hoops, baseball and path. He went to college at Oklahoma State in Stillwater and no set programs for a music calling. It was in 1984, when Garth realized that his athleticss calling was non traveling anyplace, so he majored in advertisement, took some selling categories, and started to take music earnestly. We will write a custom essay sample on Garth Brooks Essay Research Paper Garth BrooksTroyal or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page He began to execute in bars and barrelhouses around Stillwater. In the summer of 1985, he left for Nashville and a calling in state music, but returned home four yearss subsequently rejected. After, he joined a local set Santa Fe as the lead vocalist. During this clip Garth became large fans of singer-writers James Taylor, Dan Fogelberg, stone sets Boston and Kansas, and state vocalist George Strait. In 1986, Garth married Sandy Mahl. They met when Garth worked as a chucker-out at a saloon. Then in 1987, Garth, with his new married woman, and Santa Fe, moved to Nashville. After entering many demos for publishing houses, Garth signed a author # 8217 ; s contract in November of 1987 and shortly after met Bob Doyle, who subsequently became his director. It was Doyle who paid the entry fee to a Bluebird Cafe. The public presentation at this Cafe earned Garth his first record trade with Capital Records. He so released his album Garth Brooks in 1989. This album gave no indicant of what was in shop for Garth down the route. During the following few old ages, Garth released a 2nd album No Fences and a 3rd, Ropin’ the Wind. The 3rd album set a new record when on the twenty-four hours of the release in 1991, progress orders stood a four million and entered the dad charts at # 1. At the same clip, his first and 2nd albums gained Pt position. Even though Garth # 8217 ; s recordings had been successful, it was as an on-stage performing artist that Brooks has taken state music to a new high and reached out to a younger audience. He is really ocular and rides a continual moving ridge of energy in true stone instead than state. He runs around the phase, involves his fellow instrumentalists in his brainsick jokes and truly communicates with the fans. In 1991 and 1992, Garth concerts outsold every dad and stone act at the major American bowls, puting new records for selling 1000s of show tickets. From 1992 through 1997, Garth released four more albums: The Chase, Beyond the Season, In Pieces, and The Hits, Fresh Horses and Sevens. He besides continued to tour throughout the universe. He went to Ireland in the spring of 1994 where an estimated 130,000 fans came to purchase tickets. Garth continued to sell out bowls with every concert he had since. In 1997 he played for the largest crowd to of all time go to a concert in New York # 8217 ; s Central Park. It was besides viewed by 14.6 million on telecasting. Then in 1998 Garth released The Limited Series, which were re-releases of all his albums from 1989 through 1995, with one new vocal on each. Finally, after he finished his long running circuit, he released his Double Live album. This album is compiled of vocals from most of his unrecorded concerts. He so tried a stone manner with the album In the Life of Chris Gains. He sings as a fictional individual. The album sold more than two million transcripts. He so retired in 2000 but has programs on making one more album. Overall, Garth has won more than 60 major industry awards including 3 CMA Entertainer of the Year awards. His album gross revenues topped 60 million worldwide, with two album certified Diamond ( 10 million certified gross revenues ) , and ten certified multi-Platinum ( one million certified gross revenues ) .